NAMDEO DHASAL

                  NAMDEO  DHASAL 

             Namdeo Laxman Dhasal 15 February 1949 – 15 January 2014 was a Marathi poet, writer and Dalit activist from Maharashtra, India. He was awarded the Padma Shri in 1999and a Lifetime Achievement Award from the Sahitya Akademi in 2004. In 2001, he made a presentation at the first Berlin International Literature Festival. Namdeo Dhasal was born in 1949, in a small village Pur in Khed taluk near Pune, India. He and his family moved to Mumbai when he was six. A member of the Mahar caste, he grew up in dire poverty.Following the example of the American Black Panther movement, he founded the Dalit Panther with friends in 1972. This militant organization supported its radical political activism with provocative pamphlets.In 1972, he published his first volume of poetry, Golpitha. More poetry collections followed: Moorkh Mhataryane (By a Foolish Old Man) --inspired by Maoist thoughts--; Tujhi Iyatta Kanchi? (How Educated Are You?); erotic Khel; and Priya Darshini (about the former Indian Prime Minister Indira Gandhi).

            Dhasal wrote two novels, and also published pamphlets such as Andhale Shatak (Century of Blindness) and Ambedkari Chalwal (Ambedkarite Movement), which was a reflection on the socialist and communist concepts of modernist movement founder Babasaheb Ambedkar.Later, he published two more collections of his poetry: Mi Marale Suryachya Rathache Sat Ghode (I Killed the Seven Horses of the Sun), and Tujhe Boat Dharoon Mi Chalalo Ahe(I'm Walking, Holding Your Finger).Dhasal wrote columns for the Marathi daily Saamana. Earlier, he worked as an editor for the weekly Satyata.Dhasal was diagnosed with colon cancer and admitted for treatment in a Mumbai hospital in September 2013.In 1982, cracks began to appear in the Panther movement. Ideological disputes gained the upper hand and eclipsed the common goal. Dhasal wanted to engender a mass movement and widen the term Dalit to include all oppressed people, but the majority of his comrades insisted on maintaining the exclusivity of their organization.Serious illness and alcohol addiction of Dhasal overshadowed the following years, during which he wrote very little. In the 1990s, he once again became politically more active.Dhasal held a national office in the Indian Republican Party, which was formed by the merger of all Dalit parties.

             The Dalit literature tradition is old, though the term was introduced only in 1958. Dhasal was greatly inspired by the work of Baburao Bagul, who employed photographic realism to draw attention to the circumstances which those deprived of their rights from birth have to endure. Dhasal’s poems broke away from stylistic conventions. He included in his poetry many words and expressions which only the Dalits normally used. Thus, in Golpitha he adapted his language to that of the red light milieu, which shocked middle class readers.The establishment’s assessment of Dhasal’s political, as opposed to his artistic achievements may differ drastically, but for the writer they are inextricably linked. In an interview in 1982 he said that if the aim of social struggles was the removal of unhappiness, then poetry was necessary because it expressed that happiness vividly and powerfully. Later he stated, "Poetry is politics." Dhasal adheres to this principle in his private life. He told the photographer Henning Stegmüller, "I enjoy discovering myself. I am happy when I am writing a poem, and I am happy when I am leading a protest of prostitutes fighting for their rights."

             Arundhati Subrahmaniam describes his poetry thus: "Dhasal is a quintessentially Mumbai poet. Raw, raging, associative, almost carnal in its tactility, his poetry emerges from the underbelly of the city — its menacing, unplumbed netherworld. This is the world of pimps and smugglers, of crooks and petty politicians, of opium dens, brothels and beleaguered urban tenements."