KANGANA RANAUT
KANGANA RANAUT
Ranaut featured in
the commercially successful films Raaz: The Mystery Continues (2009)
and Once Upon a Time in Mumbaai (2010),
though she was criticised for being typecast in neurotic roles.
A comic role opposite R. Madhavan in the 2011 box office
hit Tanu Weds
Manu was well-received, though this was followed by a
series of brief, glamorous roles in films that failed to propel her career
forward. She then played a mutant opposite Hrithik
Roshan in the science fiction film Krrish 3 (2013),
one of the highest-grossing Bollywood films,
and won the Filmfare and National Film Award for
Best Actress for her performance in the comedy-drama Queen (2014).
In 2015, Ranaut portrayed a dual role in Tanu Weds Manu Returns, the most
successful Bollywood film featuring a female protagonist, for which she won
a Filmfare Critics Award and
a second consecutive National Film Award for Best Actress.
Kangana
Ranaut is
an Indian film actress. She has established a career in Bollywood and
is one of the highest-paid actresses in India. Ranaut is particularly known in
the media for expressing her honest opinions in public and is frequently
credited as one of the most fashionable Indian celebrities. She is the
recipient of several awards, including
three National Film Awards and Filmfare
Awards in four categories.
Born in Bhambla, a
small town in Himachal Pradesh, Ranaut initially aspired to
become a doctor at the insistence of her parents. Determined to build her own
career path, she relocated to Delhi at age sixteen, where she briefly became a model.
After training under the theatre director Arvind Gaur,
Ranaut made her feature film debut in the 2006 thriller Gangster, for which she was awarded
the Filmfare Award for Best Female Debut.
She received praise for portraying emotionally intense characters in the
dramas Woh Lamhe(2006), Life in a... Metro (2007) and Fashion (2008). For the last of
these, she won the National Film Award for
Best Supporting Actressand a Filmfare Award in the same category.
In
2004, the producers Ramesh Sharma and Pahlaj Nilani announced that Ranaut would
make her film debut with the Deepak Shivdasani-directed I Love You Boss. The following
year, an agent took her to the office of the producer Mahesh Bhatt,
where she interacted with the director Anurag Basu and
auditioned for the lead role in the romantic thriller Gangster. Bhatt felt that she
was too young for the role and signed Chitrangada
Singh instead. However, Singh was later unavailable to do the
film and Ranaut was contracted as a replacement for Gangster, opting out of I Love You Boss. She was cast in
the central role of Simran, an alcoholic woman caught in a romantic triangle
between a notorious gangster (played by Shiney Ahuja)
and a sympathetic friend (played by Emraan Hashmi).
Ranaut was only seventeen while filming and said that she "had difficulty
first in understanding and then unwinding from the character", describing
her craft as "raw and immature".[22] Released
in 2006, Gangster emerged
as a critical and commercial success and her performance was praised.[23][24] Raja Sen of Rediff.com said
that "Kangana is a remarkable find, the actress coming across with great
conviction. Hers is the pivotal character and an extremely difficult role to
essay, but she manages it well [...] Kangana's nuances [of an alcoholic
character] are disconcertingly realistic."[25] She
won the Filmfare Award for Best Female Debut,
along with various other debut awards.[26]
Ranaut's next role
was in the Mohit Suri-directed drama Woh Lamhe (2006),
a semi-biographical film based on the schizophrenic actress Parveen Babi and
her relationship with the director Mahesh Bhatt.[27] She
said that portraying Babi had left her emotionally drained, as she had begun to
"feel her desolation and loneliness."[28] Film
critic Subhash K. Jha wrote that Ranaut "is
the first female performer of Bollywood since Smita and Shabanawho
isn't scared to strip her soul naked for the camera", adding that she is a
"hugely expressive actress with a phenomenal ability to convey torment,
hurt and incredulity through the eyes".[29] Despite
positive reviews, the film underperformed at the box office.
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